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Representing various hedge funds investing in equity and equity linked securities, bonds and trade claims in emerging and frontier markets.
Representing high frequency trading funds employing quant driven trading strategies across multiple asset classes and markets. Representing multi-manager hedge funds investing in all strategies via a seed model with operational and portfolio risk oversight.
Representing hedge fund structures investing primarily in distressed credit and event-driven strategies and sponsored by prominent activist investor.
At the World Capital Markets Symposium, when asked to comment on the sustainability, diversity and equality in the finance industry, D'Agostino remarked "It doesn't matter if we are ready or not, the future is decidedly female" which received considerable media interest.
In May , D'Agostino was invited by the U. D'Agostino is married, has two daughters and resides in New York City. From Wikipedia, the free encyclopedia.
For the poker player, see John D'Agostino poker player. See also: Rigged book. May 5, Retrieved March 4, DMS Offshore. Retrieved March 6, PR Newswire.
BB Publications. June 18, They needed another body to be in the room that handled the coloring, and that's where I worked.
Writer and artist credits were not routinely given during this period fans and historians refer to as the Golden Age of Comic Books , making full bibliographies difficult for many of the medium's pioneering creators.
Other early credits, all using the first name "Jon", include horror stories in Master Publications ' Dark Mysteries No. Through the s and into the s, D'Agostino fully drew or simply inked across a variety of titles for Charlton, including romance comics Sweethearts ; war comics Attack , Fightin' Army ; funny animal comics and other types of children's comics Pudgy Pig , Timmy the Timid Ghost , Hunk ; and teen humor comics Freddy , and the TV-series licensed comic My Little Margie.
He occasionally inked penciler Matt Baker under the joint pseudonym Matt Bakerino. In the mids and continuing through the s, D'Agostino began contributing to Archie Comics and Gold Key Comics in addition to Charlton, both as an artist and as a letterer.
In the s he was inking primarily for Archie and for Marvel, including on the latter's G. D'Agostino's last known published credit was inking the cover of Betty No.